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RITO,
ESPEJO Y OJO / RITUAL, MIRROR AND EYE
opening
reception |
| MOCRA is pleased to present the work of three significant Latin American artists to St. Louis audiences. While their personal and artistic backgrounds vary, all three artists share a common interest in creating multimedia works that extend the traditional bounds of each medium. These particular works employ the human figure as the central visual motif: iconic portraits, shadowed bodies, and loving meditations on family members. There are also thematic similarities: geographic dislocation, the intermingling of cultures and religions, and a sometimes palpable awareness of the past asserting or insinuating itself in the present. | ||
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Luis González Palma was born in 1957 in Guatemala City and still lives there today. A self-taught photographer, he studied architecture and cinematography at the Universidad de San Carlos de Guatemala. He has exhibited widely throughout North and South America, Europe and Asia. González Palma's work is included in various significant collections such as the Art Institute of Chicago, the Centro de Arte Reína Sofía in Madrid, the Los Angeles County Museum of Art, and the Fogg Museum at Harvard University. His best-known work depicts the indigenous and mestizo populations of his home country, often in a staged fashion evoking mythological and cultural characters. In his most familiar images, he paints over the photographs to achieve a sepia quality but leaves the whites of the subjects' eyes unpainted, to startling effect. |
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| Metáfora (detail), 2002. Hand-painted gelatin silver print, gold leaf, Kodalith. | ||
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María
Magdalena Campos-Pons |
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| Abriendo Caminos 2, 1997. Large-format Polaroid. | ||
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Pablo
Soria |
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| Autorretrato, 2000. Gelatin silver print with sepia toner. | ||
| Museum
of Contemporary Religious Art
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